Metacrtic has released its 14th annual game publisher rankings, listing the best and worst of them based on their 2023 releases. This year’s edition is full of interesting shifts, with many indie publishers climbing up and last year’s winner Sony dropping out of the top 10.

Roguelite survival/mining game Dome Keeper has managed to spawn a new wave of interest from users a year after its launch on Steam. Here is how the latest update impacted the title’s metrics.

Dome Keeper, an unusual combination of roguelike and mining genres, has grossed $1 million at launch. Here is how the Raw Fury-published indie game became profitable.

Annapurna. Versus Evil. Raw Fury. Is working with these publishers a dream come true for indie devs? Alex Goodwin, the solo creator of much anticipated title Selfloss, has been there, done that. In an interview with Game World Observer, he shares his experience and warns fellow creators to curb their enthusiasm.

Johan Toresson, “Chief Say That Again Officer” at indie publisher Raw Fury, revealed that the company receives at least over 1500 pitches a year, which he called “a modest number.” Of those, Raw Fury typically signs less than one percent.

Raw Fury and Dj2 Entertainment have announced their partnership. The production company will bring some of the publisher’s video games to film and television.

Raw Fury has partnered with Altor after the fund acquired a majority stake in the company. However, it doesn’t mean that the publisher is “selling out,” as it will maintain its autonomy.

Famous indie publisher Raw Fury strongly believes that video games are art. To show it to a wider audience, the company will open an exhibition of physical works of art based on its titles.

Games conferences and shows like E3 have been receiving criticism for years. The latest person to voice their issues with old formats is Raw Fury head Johan Toresson who urged developers and publishers to stop spending money on big events.